(the video is not complete...but, you'll get the idea)
Rhythm 10, 1973 - Marina Abramovic
In her first performance Abramović explored elements of ritual and gesture. Making use of twenty knives and two tape recorders, the artist played the Russian game in which rhythmic knife jabs are aimed between the splayed fingers of her hand (5-finger fillet). Each time she cut herself, she would pick up a new knife from the row of twenty she had set up, and recorded the operation.
After cutting herself twenty times, she replayed the tape, listened to the sounds, and tried to repeat the same movements, attempting to replicate the mistakes, merging together past and present. She set out to explore the physical and mental limitations of the body – the pain and the sounds of the stabbing, the double sounds from the history and from the replication. With this piece, Abramović began to consider the state of consciousness of the performer. “Once you enter into the performance state you can push your body to do things you absolutely could never normally
I must admit, I don't get it.